The GR33 Librarian can be used to download, upload, save, and manipulate system and patch data on a Roland GR33 guitar synth.GR33 Librarian 1.0 License - MIT LicenseGR33 Librarian 1.0 Misc. Audio software developed by Gr33librarian. The license of this misc. Audio software is freeware, the price is free, you can free download and get a fully functional freeware version of GR33 Librarian.

Do not use illegal warez version, crack, serial numbers, registration codes, pirate key for this misc. Audio freeware GR33 Librarian. Always use genuine version that is released by original publisher Gr33librarian.

Okay, I usually just lurk through the threads and read up on all the interesting info everyone has to offer, but today I decided to share my experience with you all on the glorious GR55.I've been messing with this unit for a bit now, (Probably last 3 months or so.) Anyways, I love the stuff I can do with it ( And the potential.), and although I've scoured the net looking for info on how to use 'em, and get the tracking so that it's smooth, it's been kind of hit or miss, trial and error for me. I figured it might be useful to post a collection of videos that I posted that kind of chronicle my experience with the unit.I use a cheapie Ibanez RG RG321RGMH and bought the GR55 that came with the GK3 pickup. The pickup has been a lot of trouble for me, as I have to clean the 13 pin connections religiously with contact cleaner, and setup/calibration has been sort of an ongoing thing. The guitar tone isn't horrible, typical Boss Cosm amp modelling. There's a lot of options though, especially if you use the 'guitar out' (which I do religiously.

It's nice to have the option of blending a 'real amp' in there.) Anyways, I also found that in order to trigger/track nicely you need to set your GK3 pickup's sensitivity low enough so that when you play a note it doesn't get picked up by the other pickup. In my case, I have the sensitivity now set VERY low.

Like 1 on the low 'E' 1 on the 'A' etc, etc. The high E is the highest, and is set to about 18. Strange, but it works. The other thing to keep in mind is the guitar's neck scale; be sure to enter that in correctly, or 'no tracky'. One last thing is the pickup's distance from the saddles.

Get out an accurate measuring tape and get this right, it's real important.I still think that this thing has a LONG ways to go in regards to really accurate tracking, especially when it comes to percussion. Still, I have this as a permanent addition to my 'rig' and now that I have it and sort of understand how to use it, it gives me access to sounds and ideas that help me sound a bit more unique (I know my playing's run of the mill, but meh I'm working on that!)So anyways, here's a collection of vids that I posted on youtube that chronicle my experience with the thing so far. I haven't had a chance to really mess with some of the controller features on it, and nor have I had a chance to play with the unit's ability to play.aiff/.wav files as backtracks.

I will say that the fact that I can use this to store a night's worth of backtracks and control it with my feet makes this piece of gear even more useful to me. Anyways, I hope you find this somewhat useful, folks!Probably one of my most recent attempts; lined into my interface and created a loop and then improvised over it. It's at this point where I sort of decided to just use the thing a little more like I wanted to and a little less as a 'keyboard'. I wanted to test the 'effects' side of things and as such, I had a patch with a snapback type delay, another bass patch with an octave/distortion effect (buzzy) and of course a wet lead patch with a cool 'whammy-type-pitch-up' effect.This one's a stab at using strings only, things got yucky. Lol Same idea as above, using the onboard looper to create a backtrack but, tracking was warmly as heck, so I abandoned any attempt at being tasteful and just kind of mauled the thing.

Sep 20, 2013  I just bought the Roland GR-33, and I love most of the presets. I play a lot of upbeat country and bluegrass, as well as pop, classic rock, etc. I am VERY disappointed that the unit does not have a banjo patch like the GR-20, which I used to own. NOR does it hav. R® Factory Reset Procedures Caution: Many of these procedures will erase all memory in the unit. Make sure you have backed up any data you wish to keep before performing these procedures! If a unit is not listed here, it does not have an initialization procedure that is user-executable.

The mac auto clicker works similarly to other auto clicker software available in Windows or Android. All you have to do is download one software from the internet and then install it on your PC. Run the software and the first thing you will need to do is record your click points or coordinates. Download Auto Clicker for Mac. Download Auto Clicker on Mac running version 10.5 or later Apple Operating System running on Intel 64 bit Machines. This Mouse Automation Utility is provided on a try before buy basis or in other words is a shareware application. An autoclicker is a program that moves the mouse and types on the keyboard automatically, without user input. Run takes a.txt script and runs based off of the commands in the script. Commands include mouse movement, mouse clicking, keyboard typing, and some simple programming language features. Op autoclicker for mac. Automate mouse clicks A full-fledged autoclicker with two modes of autoclicking, at your dynamic cursor location or at a prespecified location. The maximum amounts of clicked can also be set (or left as infinite). Hotkeys work in the background for convenience. Delay Start – Delay the start a number of seconds after the hotkey is pressed. Single Click – Mac auto clicker will execute click after click. Double Click – Auto clicker for Macintosh will execute a double click session every time. Custom Number of Clicks – The user can set a number of clicks to.

Although I've gotten the pitch and tracking a lot better in recent times, strings are still kind of rough, and require much tweaking and great playing technique. Shredi knights won't like that.

Or will they?This track was an attempt at using the guitar to trigger drums and create a backtrack to play over in one shot. Drums don't trigger consistently in this, that's for sure. The Fishman Triple play looks waaaay superior in regards to tracking drums. Anyways, I tried to use a few different sounds and have some fun with this. I was kind of hoping to use guitar as a means to input drum tracks when recording. I may have to wait a bit for the tech to improve.This one was a foray into trying to get something resembling a percussion track along with a bass and guitar accompaniment to solo over.

It was at this time that the GK3 was not catching my strings properly and the damn high 'E' would just not seem to trigger sometimes. It was real intermittent. I've since come a long ways on setting this up and calibrating it.This one's one of my first attempts at looping some of the different patches and then soloing over it. It's kind of rough but you can see the evolution of the unit's learning curve. Prior to this point I'd never used a looper before, but now I'm pretty much hooked. I now use A Roland RC3 stomp box alongside the GR55 when I'm in band or jam situations. I've since gotten a lot better at starting/stopping my loops also.Here was my first video with this unit, and it shows how you can use the unit along with your favourite amplifier via the 'guitar out'.

If it were not for the dry 'guitar out' I would not have purchased this thing. Tracking is of course pretty rough, but hey, it was my first stab at using the unit. I immediately fell in love with being able to switch back and forth between 'guitar only' 'synth only' and 'mix' Very awesome. It seems the only weak link here was me.Anyways, feel free to comment and please, let me know what some of your experiences have been with this unit.

Or if you have any questions, I'll do my best to answer them. Thanks, and have a good one!

Jay, Great GR-55in' there! Looks like you are taming that beast site well.Sorry to hear about your ongoing setup issues. When I owned the GR-55 (and the 33) I just slapped the pickup on a few different guitars and it seemed to work fine. I never had to do much regarding adjustments, and I never cleaned anything. Perhaps I was just lucky.I have a particular fondness for MIDI guitar and have owned several different ones over the years.

I am looking forward to the Fishman Triple Play product, but until that comes out, The GR-55 is the best there is. Keep up the good work, and let us know when you post more vids. The 55 is conceptually a great idea, but in terms of tracking and sounds, IMO it drastically falls short. First, the tracking is really no better in terms of accuracy or speed than the GI-20, GR-33, or even GR-30. Additionally, the tones are very lacking, especially when compared to software plugins these days.

The only saving grace of the 55 (again, in my opinion) is the VG stuff, which basically makes it a cheaper, diet VG-99. Those sounds are really useful, and is almost worth it alone for the money. The 55 is conceptually a great idea, but in terms of tracking and sounds, IMO it drastically falls short. First, the tracking is really no better in terms of accuracy or speed than the GI-20, GR-33, or even GR-30. Additionally, the tones are very lacking, especially when compared to software plugins these days.

The only saving grace of the 55 (again, in my opinion) is the VG stuff, which basically makes it a cheaper, diet VG-99. Those sounds are really useful, and is almost worth it alone for the money.I think you are dead wrong about the difference between tracking of the GR 33 and GR 55. For one thing, the tracking is TOTALLY DIFFERENT on both units.The GR 55 is WAY faster than the GR 33! Still not quite as fast as an axon, but the GR 33 was nowhere close to an axon! The GR 55 is the best tracking MIDI guitar module for internal sounds that Roland has made to date. Ooo First of all, thanks for checking out the vids.

I would have posted more but alas, I plugged into the unit last week. I found if I pulled the cable (13 pin) out of the jack, then it would make a connection and I'd get some sound, but if it was plugged in all the way, then nothing. So back to roland with the unit; VERY upsetting, as there's lots I want to do with this.Sadly I didn't make any backups on the patches, so I can't share a patch for a while until the unit comes back.

I will say that my preference was definitely the 5150 model, and I tended towards doing anything i could to get rid of midrange honk; sometimes I'd turn the 'tone' in the GR55 emulator to where I could put up with it, always had it set for neck pickup. That sort of thing. I' REALLY like the guitar out, and I was going to do some more stuff with that going into my amps and/or a Line6 pod. Anyways, here's hoping Roland will fix the darned thing so I can get back to making music with it.Once I get it back I'll post some more stuff, as I had a few other ideas I'd like to share about the unit. The GR 55 is WAY faster than the GR 33!

Still not quite as fast as an axon, but the GR 33 was nowhere close to an axon! The GR 55 is the best tracking MIDI guitar module for internal sounds that Roland has made to date.You can think I'm dead wrong all you want, but I've owned:Two GR-33'sThree GR-55'sTwo GI-20'sOne GR-30And the tracking with the GR-33 is just as fast as the 55.

That's with a Roland GK built-in system, as well as a Ghost system. How many systems have you had to base your OPINION on that I'm 'dead wrong'? We all know both golfcart and polaris have the same guitar with the same strings, the pickup is placed exactly in the same spot and most importantly, they have the same exact hands and same exact technique, playing the exact same notes! So we can now make a definitive scientific claim on the speed of tracking.I thought the 55 did better than the 33 on tracking, but that's just me. I also thought the 55, frankly, has total cheese ball synth tones.

Now I use a AX50 and whatever I have on hand and in the computer. Ive owned a yamaha g50, gr30, gr33, vg99 and gr55.Gr55 is the best tracking of these particular units but the difference isnt particularly staggering compared to the gr33 IMO.The gr55 is strong in terms of the totality of its feature set (ie combining COSM guitar modelling, effects, alternate tuning, and midi conversion).The triple play looks promising, but it seems its still a ways away in terms of release, and I actually like having the midi converter, sounds, footpedals, and switches conveniently all in one box for live playing. Okay, I just got a replacement GR55 and the sensitivity settings now need to be much higher than my previous unit when it worked. Also my distances seem to be a bit different, so I'm a bit confused. Two different GR55's equal two different settings? I also made another video showing some of the standard patches.

I used a Line6 HD Pro for my rhythm guitar, and Logic for bass and Toontrack EZdrummer (DFH) for drums. Other than that, it's all just GR55 and me. I'm still patiently waiting on a Godin LGTX, so once I get that I'll try that sucker out too. Okay, I just got a replacement GR55 and the sensitivity settings now need to be much higher than my previous unit when it worked. Also my distances seem to be a bit different, so I'm a bit confused. Two different GR55's equal two different settings?

I also made another video showing some of the standard patches. I used a Line6 HD Pro for my rhythm guitar, and Logic for bass and Toontrack EZdrummer (DFH) for drums. Other than that, it's all just GR55 and me. I'm still patiently waiting on a Godin LGTX, so once I get that I'll try that sucker out too.Awesome video. Hey thanks to everyone for checking out the videos. This unit is pretty awesome, but there are a few hiccups I think that kind of come along with the territory.

Here's my impressions;1)Installation. The guitar that you install the GK3 into has to be the right one. As mentioned earlier in this thread, placement between the pickup and saddles is crucial. The model of Ibanez that I chose to install it on doesn't allow me to get any closer to the saddles, not without 'modifying' the bridge anyways.2)Playing technique. This is really important.

You almost have to give the unit time to 'learn' how you play (In reality you just sort of evolve your technique to accommodate how the device works I think.)3)Guitar tone. The 'guitar out' and a nice sounding amp/rig is crucial, as I really, really don't like cosm's distortion stuff on it's own. Blended with my amp of choice, I think it sounds amazing. Anyways, don't ditch any of your other stuff to get one of these, keep it 'cause you'll need it!4)Maintenance. The box itself (GR55) is tough as nails. The 13 pin cable and the GK3 however are kind of. Contact cleaner, dielectric grease and TLC are the order of the day.Anyways, despite some of the issues I've had with this thing, I've really fallen in love with it, and it's become a crucial part of my rig, and my sound.

I mean, as guitarists we're all looking for ways to sound unique, right? Well the GR55 can facilitate that in a big way. As far as I've seen, no two GR55 users sound even remotely similar.It's a great unit, I hope y'll like it as much as I do! I bought an old Roland GR33 and an old Korean Peavey Predator Plus which was already including a Graphtech Ghost Modular Pickup system.The tracking is really perfect and you perceive no latency.

Guitar was modified to include switches to play only electric (Seymour Duncan Invader hb in bridge position), only acoustic through piezo pickup in the bridge or synth guitar, or a free combination on the three modes. Guitar included two separate volume controls for synth and acoustic and two buttons (forward-backward) to select Roland GR33 patches without needs to use GR33 pedalboard.It works beautifully both live and recording. As a die hard VG-99 user I think that particular unit shines in so many ways I'd have to start my own 'here's what it can do' channel to show how it differentiates from all the other Roland/Boss products. Some are reporting the Boss GP-10 tracks better than all of the other Roland/Boss guitar synthesizer units when triggering oscillators - I have one in addition to the VG-99.But honestly what I do is process with DSP regular guitar strings and make the thing sound like synthesizers so there is no tracking delay with whatever it is I do.

Odd I know but. I have patches for my VG99 and GP10 that do similar things.Getting back to the GR-55 though:The guy who impressed me the most with the GR-55 is this guy from Denmark.